Женская одежда 1740-х годов. Британия. Подборка.
"XI: Pamela Asks Sir Jacob Swinford's Blessing" by Joseph Highmore
Дальше много больших картинок
ca. 1745 Portrait of Nancy Fortescue, wearing a dark blue riding habit, with gold frogging and cap by Thomas Hudson
Francis Hayman "David Garrick and Mrs Pritchard in The Suspicious Husband", 1747
Francis Hayman, 1742
Francis Hayman, "Portrait of George and Margaret Rogers", 1748-1750
Francis Hayman, "George Rogers and His Wife, Margaret, and His Sister, Margaret Rogers", 1748-1750
"May" from the Months of the Year 1745; London, England; Thomas Burford (1710-1774)
Portrait of Unknown Lady by George Beare (fl.1740-50)
1740-45 George Knapton (English artist, 1698–1778) Lady Throckmorton
Thomas, 2nd Baron Mansel of Margam with his Blackwood Half-Brothers and Sister, Allan Ramsay, 1742;
ca 1745-50 Lucy Ebberton by Knapton George
Thomas Frye (1710 - 1762) - Portrait of Mrs. Hibbert, when a girl
GAINSBOROUGH, Thomas, Conversation in a Park, c. 1740
Thomas (1740–1825) and Martha Neate (born 1742) with His Tutor, Thomas Needham, 1748, Sir Joshua Reynolds
Jacobite fashion. Perhaps the Hon. Anne, eldest daughter of Sir Jacob de Bouverie, 1st Viscount Folkestone ca. 1740-45 Bartholomew Dandridge
Lady Diana, Duchess of Bedford and her grandmother Sarah, Duchess of Marlborough by Maria Verelst, 1744
A Girl with a Tea Cup, by Philippe Mercier (style of), c.1740s. National Galleries of Scotland.
ca. 1741 Frances Courtenay, née Finch, wife of William Courtenay, 1st Viscount Courtenay by Thomas Hudson
"Phila Franks", Thomas Hudson, ca. 1745
"Portrait of an Unidentified Young Lady", attr. Thomas Hudson, ca. 1745
"Anne van Keppel, Countess of Albemarle", Thomas Hudson, ca. 1745;
Portrait of a Woman, Robert Feke, ca. 1748
1743 Lady Anne Campbell, Countess of Strafford by Allan Ramsay
"Portrait of an Unknown Lady, Called 'Mrs Somerville'", attr. Jeremiah Davison, ca. 1740;
"Anna Catherine Vernon, Mrs Richard Lockwood", Enoch Seeman the younger, 1741
Henrietta, Lady Jenkinson, Philippe Mercier, 1742
ЗаметкиСтоит различать парадные портреты знати и более повседневные, особняком - актерские (в данном случае, третья картина, хотя здесь играют современников художника), амазонки (закрытый верх по типу мужских камзолов) и костюмы для прогулок. На некоторых видно, что шляпка надевалась поверх чепчика, виден широкий крой рукавов и достаточно большой вырез рубахи. На портрете Филы Франкс виден крой корсета, расходящийся снизу (в этом веке пышность юбок достигалась количеством складок на ткани).
А Томас Хадсон усиленно сует драгоценности там, где их не было (у него свет на жемчуге падает не так, как на все остальное))